Maya ethnozoology, especially of Peten, Guatemala, Belize, and Mexico

Over the next year, this web site on Maya archaeology will bring more information about the indigenous plants and animals of pre-Columbian Mesoamerica. Our focus tends to be on Guatemala since I have been experiencing Guatemala since 1963. But we are also interested in Tabasco, Chiapas, Quintana Roo, Campeche, Yucatan Mexico and Belize.

The animals that FLAAR is studying are those creatures which

  • appear in Maya murals.

  • appear in Maya art, especially on ceramics.

  • are mentioned in Maya myths (the Popol Vuh but also in other myths).

  • were used in religious ceremonies.

  • were worshiped or rendered homage, especially celestial patrons.

  • fauna that was utilitarian (eaten, used for hides, etc).

  • or simply creatures that are of special interest if you live in Guatemala.

Sacred animals pictured on Maya vases

Birds appear frequently in Maya art, especially hummingbirds, parrots, macaws, hawks, eagles, water birds, doves, and others.

Snakes of many species, especially venomous, are common in Maya art.
Scorpions are found in life-sized 3-dimensional effigies in obsidian and chert (“flint”) in stelae caches.  On a few vases scorpions are incised or painted.

Bees and other insects: a vase found near Yaxha by Don and Prudence Rice shows a diverse variety of creatures. Regrettably I am not sure if this vase has ever been published.

Cockroach-like insects are common on Late Classic bowls. This is possibly a form of tropical beetle, but most people would immediately think of a cockroach when they see this.

Butterflies are more frequent in the art of Teotihuacan, but because the ceramic art of Escuintla was heavily influenced from Teotihuacan, you can find many effigy containers of were-Butterflies (butterflies in partially human form, which are usually a deity with a giant butterfly headdress).

Deer, squirrels, large rodents, and a diverse set of animals are pictured on polychrome Maya vases, especially when Hunahpu and/or Xbalanque are present with their blowguns.

Jaguars, ocelots, margays, jaguarundis, and pumas are pictured in rituals and the spot patterns of the jaguar and ocelot are frequently used to decorate Maya vases, bowls, and plates.

Crocodiles are one of the impressive tropical reptiles that are often pictured in Maya art.

Rollout by Nicholas Hellmuth and Eduardo Sacayon of a hieroglyhphic inscription
Rollout by Nicholas Hellmuth and Eduardo Sacayon of a hieroglyhphic inscription closeup left side
Rollout by Nicholas Hellmuth and Eduardo Sacayon of a hieroglyhphic inscription closeup right side
Rollout by Nicholas Hellmuth and Eduardo Sacayon of a hieroglyhphic inscription that shows denizens of the tropical Peten rain forest. Late Classic vessel available to photograph courtesy of La Ruta Maya Foundation (a registered collection, Guatemala City). Later this year several FLAAR Reports will discuss the studio photography lighting and other camera equipment used to accomplish this photography.

Fish and turtles are popular denizens of the Surface of the Underwaterworld.
My interest in flora and fauna of Guatemala is a result from having lived for about six years in the Peten rain forest: 12 months in the Tikal National Park and five years on the shores of Lake Yaxha. In fact the reason that the ruins of Yaxha are preserved and that this area is a Parque Nacional today is a result of five years of FLAAR raising funds to map Yaxha and Topoxte, our working to interest FYDEP in turning the area into a park, and publicizing these Maya ruins (which were totally abandoned in those years, 1970’s. Grave robbers were looting Yaxha the day we arrived). For five years FLAAR paid for guards and helped raise money from the Asociacion Tikal when our own funds ran low.

Now (2008) we are seeking funds to continue studies of tropical flora and fauna, especially ethnobotany and ethnozoology.

Archaeologists have helped by having appropriate zoologists identify the bones of animals that are found at Maya sites. Iconographers have accomplished helpful research too, but occasionally the creatures in Maya art have been mislabeled by people who have not enough experience with insects, fish, etc. and who lack biologists to assist them in their identification. FLAAR is fortunate to have two Guatemalan biologists full time on staff. Plus we have a good reference library on ethnobotany and ethnozoology (on loan to the Museo Popol Vuh, UFM).

Our primary assets are dedication to the subjects that we are focused on, a vision for long-range projects (FLAAR is still working on flora and fauna after decades), ability to survive field work in remote areas, and a staff that is completely bi-lingual and 100% Guatemalan (other than Hellmuth, who by accident of birth was born in Detroit, but whose life has been dedicated to learning about the pre-Columbian past and making this information available). Although the staff is Guatemalan, we welcome volunteers from universities in other countries: students from German and Slovenia are the most recent contributors.

The logo of FLAAR features our areas of interest: ethnozoology (butterfly), ethnobotany (cacao), archaeology (an incense burner), and interaction among pre-Columbian cultures (a local Tiquisate, Escuintla adaptation of a foreign Teotihuacan deity). This logo is stylized but is based on actual prehispanic artifacts that are well known from the Costa Sur area of Guatemala.

FLAAR Mesoamerica Logo whit parts descriptions
FLAAR logo features our areas of interest: ethnozoology , ethnobotany), archaeology and interaction among pre-Columbian cultures


There are many capable ethnozoologists doing studies in Mesoamerica, but our notable asset is that FLAAR has experience with digital photography. Whether doing rollouts of vases with animals or photographing feline spot patterns (to compare actual jaguar spots with the spots used as artistic decorations by the 8th century Maya) we have everything from a 48-megapixel digital rollout camera to a 22-megapixel Phase One medium format camera, several Nikon digital cameras (D300 and D100) and a Canon EOS 5D. All students and volunteers who work with FLAAR are taught how to use these cameras if they are interested.

Our downside is that not being an institute stuffed full of extra cash, our progress is a bit slow, but when donations are available, we can ramp up quickly. But even when funds are low, our staff continues their work to maintain and improve this website on Maya archaeology.


First posted June 25, 2008.

 

 

 
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