Maya-archaeology.org
covers Mayan, Olmec, Teotihuacan art, architecture, deities, hieroglyphic
writing and the latest digital photography, 35mm film and flatbed scanner
technology for recording the artifacts and pyramid-temple and palace architectural
remains of these fascinating ancient civilizations. New, helpful hints
to improve the quality of your photography, especially for professional
photography in museums or on archaeological expeditions (lighting,4x5inch
large format cameras
for studio photography as well as are portable
for location photography, etc).
The capabilities
of scanners,
digital camera equipment, the new generation of color
laser printers and 1200 dpi photo
quality black-and-white laser
printers, and sophisticated digital imaging software offer technological
opportunities for high quality desktop publishing. Whether archaeologists
anthropologists, art historians, botanists, zoologists, or geologists,
multi-disciplinary field expeditions can now equip themselves for the
digital era. To make it easier to figure out what digital imaging hardware
and software is best, we offer our experience. Our reviews and recommendations
will make it easier for you to equip your entrance into the new millennium
of digital imaging (see also www.digital-photography.org).
For example, archaeologists can now do all their drawings with a large
format color plotter, a digital wide format inkjet printer, instead
of by hand.
Precolumbian
Mayan archaeology
FLAAR
expands major new digital imaging technology training center in Guatemala.
Major grant from a large international corporation facilitates this new
digital photography/digital printing studio on the campus of the Universidad
Francisco Marroquin. These modern state-of-the-art facilities are already
being used by Guatemalan students and will be opened to archaeologists
working in Guatemala.
Professor
Hellmuth has been beta tester of the BetterLight digital turntable panorama
photography system since 1997. Based in part on the experience of doing
rollout photography with that prototype, Michael Collette's BetterLight
company has a new version of the rollout camera which is available to
any museum, to any archaeological field project, to any graduate student
or professor.
First rollout of a Quiche urnby Nicholas Hellmuth and Tanja Rathjen, Universidad Francisco Marroquin, urn courtesy of Museo Popol Vuh.
Yes,
now you can have your own rollout camera. To facilitate the "rollout camera for everyone" concept FLAAR volunteer Tanja Rathjen (from Germany) has spent several months in the new FLAAR photo studio in the Museo Popol Vuh preparing the detailed instruction manual.
FLAAR now has a 5000+ true optical dpi flatbed scanner to scan its Photo Archive.
We are pleased to report that after three years effort we have obtained
from Creo a $45,000 flatbed scanner, the absolute top quality brand in the world. This Creo EverSmart Supreme scanner can scan 40 slides at a time. The entire FLAAR PhotoArchive has been moved from dead storage in Florida to Bowling Green State University in Ohio to be scanned.
As soon
as the 50,000 original 35mm, 8,000+
medium format negs, and thousands of 4x5 chromes have been scanned, we will
seek a museum, library, or archive either in the US, Canada, or Europe
that might wish to acquire the originals. BGSU does not have an anthropology
department nor a museum, so
we do not intend to house the original negatives here in Ohio.
The FLAAR Photo Archive is one of the largest of its kind in the world and
represents over 30 years photography by Nicholas Hellmuth throughout Mesoamerica and in
museums from Japan, Europe, Canada, through out Mexico, and Australia.
There are probably more photos of Puuc and Chenes architecture in the FLAAR Archive,
for example, than in the Carnegie (Institution of Washington archives at the Peabody Museum, Harvard. Universities, departments, libraries, or museums who
would like to bid for the original of this archive should communicate with FLAARmaya@aol.com
The quality of the originals results from all being shot with the camera
firmly on a tripod, with professional lighting, using a Leica for 35mm, Hasselblad for
medium format, and Linhof for wide format 4x5.
Techonology
CRUSE:
On the subject of digital cameras, FLAAR is the only archaeology institute in the USA to have its own Cruse digital camera-scanner system. It's a $97,000 digital camera, state of the art German technology. Came in six crates from Europe and is now in the FLAAR digital imaging studio at Bowling Green State University.
CAMERAS: digital photography
An additional studio with two 4x5 cameras has been installed by FLAAR at the Museo Popol Vuh on the campus of the Universidad Francisco Marroquin. FLAAR has been a leader in advanced photography in archaeology for three decades and all this new equipment represent achievements along the path in these long range programs of seeking to improve the quality and quantity of professional-level photography in pre-Columbian art and archaeology.
Several programs are already open to the general public. These include basic introductory course in digital photography (especially for people interested in art or nature photography, as in landscape and panorama). Second program is intermediate to advanced digital photography as input for wide format inkjet printers. Third is advanced panorama and potentially, if there is interest, in digital rollout photography.
PRINTERS:
FLAAR demonstrates the potential of wide format Encad NovaJetPro color printer with photographic quality output. New 600 dpi wide format printers en route to FLAAR for testing. After 3 years with an Encad wide format color printer we upgraded to a Hewlett-Packard DesignJet 2800CP color inkjet printer.
SCANNERS:
Also, how to scan your archives of old 35mm color slides. $54,000 Scitex EverSmart Supreme scanner arrives at the FLAAR Photo Archive. Reviews of how best to scan 35mm color slides upcoming shortly (and, how to enlarge your 35mm slides to print on a wide format printer 36 x 54 inches for museum exhibit quality, demonstrated.
MUSEO IXCHEL: Each
museum is an ideal classroom, so this web site features four museums.
The access possible on the Internet provides an awareness of the educational
potential within each museum.
Pictured here (to the rigth) is the Museo Ixchel,
facing the Museo Popol Vuh. FLAAR is doing photography of the textiles
in the Museo Ixchel later this year.
Not only will people of many countries learn about the existence of these
museums in these Web pages, but we hope to encourage people to visit these
archaeology museums in person when they travel to Mexico, Guatemala, and
Honduras.
We provide information about Maya Archaeology with links to Maya-Art and
Books, Digital
Photography, and Cameras
and Scanning. FLAAR also has additional web sites on wide format printers
(www.wide-format-printers.org), scanners (www.flatbed-scanner-review.org),
laser printers (www.laser-printer-reviews.org), and dye sub printers.
Brought
to you by Dr. Nicholas Hellmuth, Andrea David, and the Foundation for
Latin American Anthropological Research (FLAAR).
FLAAR research
in pre-Columbian civilizations of Mesoamerica is dedicated to a standard
of academic excellence which may be defined as scholarship in the European
university tradition. For centuries, academics was based on simple classroom
presentations, as we all remember from our own school years. But today,
technology impinges upon both student and faculty alike. In the 21st century,
digital technology will offer improvement in instructional methods that
will make chalk, blackboards, and even slide projectors look like the
Paleolithic era. The goal of the FLAAR Digital Imaging Technology Center
is to make information available today about the digital imaging tools
of scholarly research of tomorrow.
Any
problem with this site please report it to jacquelinenajera@gmail.com,
or if you note any error, omission, or have a different opinion on a review,
please contact the review editor, FLAARmaya@aol.com,